Le onde del destination (“Breaking the Waves”) di Lars Von Trier

Notice: l’articolo rivela dettagli della trama del filmLe onde del destination
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"One must have chaos within himself, to create a dancing star. " (Nietzsche).

In case of film Le onde del destination of Lars from Trier dal caos non nasce anything del genere, ma solo un’inquietante e delirante visione nel world. The film is a long crossing a muddy river that does not flow into the ocean never. The mud that power brings with it is steeped in madness, cynicism, sadomasochismo, suffering for its own sake and a religious vision that would put at the center of ' universe a it gave perverse.
La trama è tanto semplice quanto le tecniche di produzione di questo film: Bess, a virgin and mentally unstable, He falls in love with a stranger named Jan who works on an oil rig in the North Sea. The community in which he lives is extremely religious Bess, bigoted and backward. The two get married quickly, ma dopo poco time il marito rimane ferito sul job e resta paralizzato dal collo in giù.

Nel personaggio di Bess non c’è nessuna growth né presa di coscienza interiore di ciò che accade all’esterno. That, at first a little 'reluctant, begins to acquiesce to the demands of perverse sick husband. He in fact pleading insistently go to bed with other men and to tell him about his sexual experiences. The game gets more and more turbid, le esperienze sempre più squallide e sono sempre vissute con spirit di sacrificio da parte della protagonista. Bess thinks of sacrificing himself to save her husband, or better, martirizzandosi for him. In this frame a It Gave accomplice, which Bess often entertains dialogues talking loudly in a question and answer all animated by his own voice, makes it appear that the sacrifices of the protagonist is not in vain. His suffering and martyrdom arrive until consumption of the extreme suffering: Bess leaves you torture and kill in a hit satanic and director-writer assures us himself that this sacrifice can heal her husband. Indeed, already for the funeral of Bess, Jan è passato in pochi giorni dal coma e la respirazione artificiale al walk con le stampelle, even managed to stand up on a ship in rough seas.

Nell’ultima parte del film anche lo psicologo che seguiva Bess, who he had considered obsessive and perverse, si ravvede e inizia ad introdurre il concetto di goodness. Bess is no longer crazy, but a good person, almost holy, forse vittima della sua stessa goodness. The film si conclude addirittura con il it gave perverso e festante di von Trier che accoglie Bess in paradiso nel clamore delle campane suonanti su nel cielo e che fanno da contraltare alle chiese della comunità fredde e senza campane.
At this point it is not clear how the director wants to fight a religious bigot, Dogmatic, judgmental (that of the community of Bess) con una goodness altrettanto perversa, blind and dogmatic (that of Bess). Honestly I see only two sides of the same coin, both unwrapped course. Se questo è l’love, perhaps it is a better gig ...

Le onde del destination” (“Breaking the Waves”) di Lars Von Trier

Le onde del destination last edit: Thursday,1 May 18:29, 2014 the nabladue
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